Dinah Washington Is You Is or Is You Ain't My Baby Recording Date
| Dinah Washington | |
|---|---|
 Washington in 1962 | |
| Background information | |
| Birth proper noun | Ruth Lee Jones |
| Born | (1924-08-29)Baronial 29, 1924 Tuscaloosa, Alabama, U.S. |
| Origin | Chicago, Illinois, U.South. |
| Died | December xiv, 1963(1963-12-14) (anile 39) Detroit, Michigan, U.Due south. |
| Genres |
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| Occupation(due south) | Musician |
| Instruments |
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| Years active | 1941–63 |
| Labels |
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| Associated acts |
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Dinah Washington (born Ruth Lee Jones; August 29, 1924 – December xiv, 1963) was an American singer and pianist, who has been cited as "the most popular black female recording artist of the 1950s songs".[1] Primarily a jazz vocaliser, she performed and recorded in a wide variety of styles including dejection, R&B, and traditional pop music,[1] and gave herself the title of "Queen of the Blues".[2] She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993.
Early life [edit]
Ruth Lee Jones was born in Tuscaloosa, Alabama, to Alice and Ollie Jones,[3] and moved to Chicago every bit a child. She became securely involved in gospel music and played pianoforte for the choir in St. Luke's Baptist Church while still in elementary school. She sang gospel music in church and played piano, directing her church choir in her teens and was a member of the Sallie Martin Gospel Singers.[4] When she joined the Sallie Martin group, she dropped out of Wendell Phillips High School. She sang lead with the first female gospel singers formed by Sallie Martin,[5] who was co-founder of the Gospel Singers Convention. Her involvement with the gospel choir occurred after she won an amateur contest at Chicago's Majestic Theater where she sang "I Can't Face the Music".[6]
Career [edit]
After winning a talent contest at the age of 15, she began performing in clubs. Past 1941–42 she was performing in such Chicago clubs as Dave'southward Café and the Downbeat Room of the Sherman Hotel (with Fats Waller). She was playing at the Three Deuces, a jazz club, when a friend took her to hear Billie Holiday at the Garrick Stage Bar. Society possessor Joe Sherman was so impressed with her singing of "I Sympathize", backed past the Cats and the Fiddle, who were appearing in the Garrick'southward upstairs room, that he hired her. During her year at the Garrick — she sang upstairs while Vacation performed in the downstairs room — she acquired the proper noun by which she became known. She credited Joe Sherman with suggesting the change from Ruth Jones, fabricated earlier Lionel Hampton came to hear Dinah at the Garrick.[6] Hampton's visit brought an offer, and Washington worked as his female band vocalist after she had sung with the band for its opening at the Chicago Royal Theatre.
She made her recording debut for the Keynote characterization that Dec with "Evil Gal Dejection", written by Leonard Plume and backed by Hampton and musicians from his ring, including Joe Morris (trumpet) and Milt Buckner (piano).[i] [7] Both that record and its follow-upward, "Salty Papa Blues", made the Billboard "Harlem Hit Parade" in 1944.[8] In Dec 1945 she made a series of twelve recordings for Apollo Records, ten of which were issued, featuring the Lucky Thompson All Stars.[9]
She stayed with Hampton's ring until 1946, after the Keynote label folded, and signed for Mercury Records as a solo vocalizer. Her first tape for Mercury, a version of Fats Waller'due south "Own't Misbehavin'", was another striking, starting a long cord of success. Betwixt 1948 and 1955, she had 27 R&B top-ten hits, making her one of the most popular and successful singers of the period. Both "Am I Asking As well Much" (1948) and "Baby Become Lost" (1949) reached Number one on the R&B chart, and her version of "I Wanna Exist Loved" (1950) crossed over to achieve Number 22 on the US popular chart.[eight] Her hit recordings included blues, standards, novelties, pop covers, and fifty-fifty a version of Hank Williams' "Common cold, Cold Heart" (R&B Number iii, 1951). At the same fourth dimension as her biggest pop success, she also recorded sessions with many leading jazz musicians, including Clifford Brown and Clark Terry on the album Dinah Jams (1954), and as well recorded with Cannonball Adderley and Ben Webster.[1] [7]
In 1950, Dinah Washington performed at the sixth famed Cavalcade of Jazz concert held at Wrigley Field in Los Angeles which was produced past Leon Hefflin, Sr. on June 25. Likewise featured on the same day were Lionel Hampton, PeeWee Crayton'southward Orchestra, Roy Milton and his Orchestra, Tiny Davis and Her Hell Divers, and other artists. In that location were 16,000 reported to be in attendance, and the concert ended early because of a fracas while Lionel Hampton played "Flying High".[x] [eleven] Washington returned to perform at the 12th Cavalcade of Jazz also at Wrigley Field in Los Angeles on September 2, 1956. Besides performing that day were Fiddling Richard, The Mel Williams Dots, Julie Stevens, Chuck Higgin's Orchestra, Bo Rhambo, Willie Hayden & V Black Birds, The Premiers, Gerald Wilson and His 20-Pc. Recording Orchestra and Jerry Gray and his Orchestra.[12]
In 1959, she had her showtime peak ten pop hit, with a version of "What a Diff'rence a Day Made",[xiii] which made Number iv on the Us pop chart. Her band at that fourth dimension included arranger and conductor Belford Hendricks, with Kenny Burrell (guitar), Joe Zawinul (pianoforte), and Panama Francis (drums). She followed it up with a version of Irving Gordon'south "Unforgettable", and then two highly successful duets in 1960 with Brook Benton, "Infant (You lot've Got What It Takes)" (No. 5 Popular, No. 1 R&B) and "A Rockin' Good Way (To Mess Around and Fall in Love)" (No. vii Pop, No. 1 R&B). Her last big hitting was "September in the Rain" in 1961 (No. 23 Popular, No. 5 R&B).[viii]
Washington notably performed two numbers in the dirty blues genre. The songs were "Long John Blues" about her dentist, with lyrics like "He took out his trusty drill. Told me to open wide. He said he wouldn't injure me, merely he filled my whole within." [14] She as well recorded a song called "Large Long Slidin' Matter", supposedly about a trombonist.[15]
One source states that Washington "produced 45 R&B-charted hits betwixt 1948 and 1961, including xvi Top fifteen placements between 1948 and 1950".[16]
In the 1950s and early 1960s before her death, Washington occasionally performed on the Las Vegas Strip. Tony Bennett said of Washington during a recording session with Amy Winehouse:
She was a proficient friend of mine, y'all know. She was bully. She used to just come in with 2 suitcases in Vegas without being booked.... And she'd stay as long as she wanted. And all the kids in all the shows on the Strip would come that night. They'd hear that she's in boondocks and it would be packed just for her functioning.
According to Richard S. Ginell at AllMusic:[1]
[Washington] was at in one case 1 of the well-nigh beloved and controversial singers of the mid-20th century – dearest to her fans, devotees, and fellow singers; controversial to critics who still accuse her of selling out her art to commerce and bad gustatory modality. Her principal sin, apparently, was to cultivate a distinctive vocal style that was at abode in all kinds of music, exist information technology R&B, blues, jazz, middle of the road pop – and she probably would take fabricated a fine gospel or country singer had she the time. Hers was a gritty, salty, high-pitched vocalisation, marked by absolute clarity of wording and clipped, bluesy phrasing....
Washington was well known for singing torch songs.[17] In 1962, Dinah hired a male bankroll trio called the Allegros, consisting of Jimmy Thomas on drums, Earl Edwards on sax, and Jimmy Sigler on organ. Edwards was replaced on sax by John Payne. A Variety writer praised their vocals as "constructive choruses".[6]
Washington's achievements included appearances at the Newport Jazz Festival (1955–59), the Randalls Island Jazz Festival in New York Metropolis (1959), and the International Jazz Festival in Washington D.C. (1962), frequent gigs at Birdland (1958, 1961–62), and performances in 1963 with Count Basie and Duke Ellington.
Personal life and expiry [edit]
Washington was married 6 times.
Early in the morning of December 14, 1963, Washington's sixth husband,[18] football groovy Dick "Night Train" Lane, went to sleep with Washington and awoke subsequently to find her slumped over and not responsive. Dr. B. C. Ross pronounced her dead at the scene at age 39.[6] An autopsy subsequently showed a lethal combination of secobarbital and amobarbital, prescriptions for her insomnia and nutrition, which contributed to her death.[19] She is buried in the Burr Oak Cemetery in Alsip, Illinois.
Awards [edit]
- Grammy Honor
| Year | Category | Title | Genre |
|---|---|---|---|
| 1959 | Best Rhythm & Blues Performance | "What a Unequal'rence a Solar day Makes" | R&B |
- Grammy Hall of Fame
Recordings past Dinah Washington were inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least xx-five years onetime, and that have "qualitative or historical significance."[twenty]
| Year | Title | Genre | Characterization | Year Inducted |
|---|---|---|---|---|
| 1959 | "Unforgettable" | pop (single) | Mercury | 2001 |
| 1954 | "Teach Me Tonight" | R&B (single) | Mercury | 1999 |
| 1959 | "What a Diff'rence a Day Makes" | traditional popular (unmarried) | Mercury | 1998 |
- Rock and Gyre Hall of Fame
The Rock and Scroll Hall of Fame listed her "TV Is the Thing (This Year)" as one of the songs that shaped rock and roll.[21]
| Year | Championship | Genre |
|---|---|---|
| 1953 | "Telly Is the Matter (This Year)" | R&B |
- Honors and Inductions
- Unforgettable: A Tribute to Dinah Washington is a 1964 album recorded by Aretha Franklin as a tribute.
- In 1993, the U.Southward. Postal service Office issued a Dinah Washington 29 cent commemorative stamp postage stamp.
- In 2005, the Board of Commissioners renamed a park, near where Washington had lived in Chicago in the 1950s, Dinah Washington Park in her honor.
- In 2008, the city of Tuscaloosa, Alabama, Washington'south birthplace, renamed the section of 30th Avenue betwixt 15th Street and Kaulton Park "Dinah Washington Artery."[22] The unveiling anniversary for the new name took identify on March 12, 2009, with Washington's son Robert Grayson and three of her grandchildren in attendance.[23]
- On August 29, 2013, the urban center of Tuscaloosa also dedicated the former Allen Jemison Hardware building, on the northwest corner of Greensboro Avenue and seventh Street (620 Greensboro Avenue), as the newly renovated Dinah Washington Cultural Arts Centre."[24]
The Dinah Washington Cultural Arts Eye in Tuscaloosa, Alabama.
| Year | Title | Result | Notes |
|---|---|---|---|
| 1993 | Rock and Gyre Hall of Fame | Inducted | Early Influences |
| 1984 | Big Band and Jazz Hall of Fame | Inducted |
Album discography [edit]
- After Hours with Miss "D" (1954)
- Dinah Jams (1955)
- For Those in Love (1955)
- Dinah! (1956)
- In the Country of Howdy-Fi (1956)
- The Swingin' Miss "D" (1957)
- Dinah Washington Sings Fats Waller (1957)
- Dinah Sings Bessie Smith (1958)
- Newport '58 (1958)
- What a Unequal'rence a 24-hour interval Makes! (1959)
- September In The Rain (1960)
- Unforgettable (1961)
- Drinking Once again (1962)
- Tears and Laughter (1962)
- Dorsum to the Blues (1963)
- Dinah' 63 (1963)
- This Is My Story (1963)
References [edit]
- ^ a b c d e "Dinah Washington". AllMusic . Retrieved June 27, 2014.
- ^ Carney Smith, Jessie (1992). Notable Black American Women. ISBN9780810391772 . Retrieved June 27, 2014 – via Google Books.
- ^ "Alice Jones, 87". Chicago Tribune . Retrieved December 20, 2016.
- ^ Joravsky, Ben (December sixteen, 1999). "Dinah Was...and Wasn't". Chicago Reader . Retrieved December 20, 2016.
- ^ Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas (2003). "Sallie Martin". All Music Guide to the Blues: The Definitive Guide to the Blues. Backbeat Books. p. 373. ISBN0-87930-736-6.
- ^ a b c d Cohodas, Nadine (2004). Queen: The Life and Music of Dinah Washington. Random House. ISBN978-0375421488.
- ^ a b "Dinah Washington Biography". rockhall.com. Rock and Coil Hall of Fame and Museum. Retrieved June 27, 2014.
- ^ a b c Whitburn, Joel (2004). Meridian R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 469.
- ^ Rotante, Anthony (February 1955). "Blues and Rhythm". Record Research. New York. p. 3.
- ^ "Dinah Washington Joins 'Hamp' in 'Column of Jazz'". Los Angeles Spotter. June fifteen, 1950.
- ^ "'Cavalcade of Jazz Attended by sixteen,000' Review". Los Angeles Lookout man. June 29, 1950.
- ^ "12th Cavalcade of Jazz At Wrigley Field Sept. 2". Los Angeles Sentinel. July 26, 1956.
- ^ Gilliland, John (1969). "Evidence 17 – The Soul Reformation: More on the evolution of rhythm and dejection. [Part 3]" (audio). Pop Chronicles. Academy of North Texas Libraries.
- ^ "Bette Midler – Long John Dejection Lyrics". MetroLyrics.com. Archived from the original on December 14, 2016. Retrieved May 12, 2016.
{{cite spider web}}: CS1 maint: unfit URL (link) - ^ "Big Long Slidin' Matter – Lyrics". Lyricsplayground.com. Oct x, 2007. Retrieved May 12, 2016.
- ^ "1940s musicians laid the cornerstone for stone 'northward' scroll". Goldminemag.com . Retrieved June 10, 2021.
- ^ "Theatre Review". The New York Times . Retrieved June 27, 2014. (subscription required)
- ^ "Night Train, Dinah Wed". Detroit Free Press. July iii, 1963. p. 2C – via Newspapers.com.
- ^ "Dinah Washington: A Queen in Turmoil". npr.org. National Public Radio. Baronial 29, 2004. Retrieved February 9, 2020.
- ^ "GRAMMY Hall Of Fame". GRAMMY.org. Archived from the original on Jan 22, 2011. Retrieved June 27, 2014.
- ^ "Feel The Music: 1 Hit Wonders and The Songs That Shaped Rock and Scroll | The Rock and Roll Hall of Fame and Museum". Rockhall.com. April 15, 2013. Retrieved June 27, 2014.
- ^ "Odetta should be memorialized". TuscaloosaNews.com. Retrieved June 27, 2014.
- ^ "Tuscaloosa unveils Dinah Washington Avenue". TuscaloosaNews.com. March 13, 2009. Retrieved June 27, 2014.
- ^ "Dinah Washington Cultural Arts Center ready for its debut in downtown Tuscaloosa". TuscaloosaNews.com. Retrieved June 27, 2014.
Farther reading [edit]
- Queen: The Life and Music of Dinah Washington, Nadine Cohodas, 2004, Pantheon
- Queen of the Dejection: A Biography of Dinah Washington, Jim Haskins, 1987, William Morrow & Co. ISBN 0-688-04846-3
- Tiptop Pop Records 1955–1972, Joel Whitburn, 1973, Record Research.
External links [edit]
- Dinah Washington : Home, Verve Music Grouping
- "Dinah Washington". Rock and Curlicue Hall of Fame.
- Dinah Washington at Find a Grave
Source: https://en.wikipedia.org/wiki/Dinah_Washington
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